Watchin’ stuff

Just got back from seeing IT, and it was pretty damn good. It was very similar to the old mini-series (this being just the first half still) in a lot of ways, but of course with everything turned up to R-rated levels. There were one or two iffy CG parts, but the majority of the effects were very well done. Well paced, creepy, consistently entertaining, and some surprisingly funny moments, mostly coming out of the mouth of that kid from Stranger Things. Definitely a winner of a remake.

Back to yesterday though, it was time to watch some of these recent new Netflix movies. I hadn’t been planning on watching this. I never saw the show or read the comic. I’ve heard all the praise about it, but it always just sounded too teen drama for my liking, so I had zero interest in seeing this version of it either. Then I heard that Adam Wingard (GO WATCH THE GUEST RIGHT NOW!) directed it, so I had to check it out. I thought it was pretty good. I’m sure it’s very different than the originals, because of course an overseas movie adaptation of a much longer story is going to be, but I don’t know anything about that, I just know that this was an enjoyable movie and that it’s made me interested in checking out the original stories, so that seems like a job well done from my perspective. My wife saw the show and told me it’s been changed quite a bit, referring to this version as “not Death Note”, but also saying that it was still good for what it was (so it’s not just me and my Adam Wingard fan bias!).

This wasn’t bad. It’s a goofy concept, with Noomi Rapace playing the part of 7 identical sisters, which is the kind of premise you’d expect to come out in the 80’s or 90’s. The core plot is pretty predictable, but it’s still a solid enough light-sci-fi/action/thriller to be enjoyable.

Black Panther runs around L.A. beating the shit out of people with a bicycle chain while trying to find out who killed his sister. Who wouldn’t want to see that? Some nice performances from a pretty good cast and some pretty graphic violence.

An action/thriller that actually has very little action in it. It’s kind of a bait and switch, really. You go in expecting Steven Seagal to be beating everyone up, but in reality (INCOMING SPOILER FOR 20+ YEAR OLD MOVIE) the plan to save the hijacked plane goes wrong almost immediately and Seagal dies, leaving a leaderless, wounded crew that’s missing most of their gear to figure out how to complete the mission before the government just shoots the plane down. It’s from the 90’s, so of course it gets a little goofy at times, but it’s still a pretty good thriller.

And finally, David Mitchell and Robert Webb‘s new comedy series has begun. It’s not really a “laugh out loud a lot” kind of comedy. It’s more on the dry and awkward side, sort of like Peepshow, but not quite as goofy so far. It’s off to a good start though.

Watchin’ Stuff

Despite the title giving me a grammatical itch, this was actually a pretty good movie. It’s sold as a near-future murder mystery involving memory recording tech that’s slightly reminiscent of Strange Days, but the interesting thing was that the murder mystery isn’t the real mystery. No, the real enigma here are the cryptic motivations of Dinklage‘s character, who is a professional model maker who just kind of appears and starts investigating this crime for vague reasons that sound suspiciously like a pack of lies. What is he really getting involved in this case for? What is it he’s really after? His character is very compelling and the performances from the various characters he questions in the course of the investigation are pretty good too. All-in-all it’s a pretty solid light-sci-fi drama.

I really should have known better (or just paid more attention at least) than to see a blurb like that and think “OH GOOD, FROM THE GUY WHO MADE YOU’RE NEXT? OH, I LOVE ADAM WINGARD, I BETTER CHECK THIS OUT!”, because nope, he had nothing to do with this movie. No, this is referring to the guy who WROTE You’re Next, and actually upon looking into it even further, that guy didn’t direct this either. This was actually directed by the writer’s brother, who has nothing but cinematography credits to his name. Urgh. Well, I guess that explains why this was filmed so well, but that’s the only nice thing to say about it. This movie is 78 minutes long and over 60 of those minutes are made up entirely of empty build-up to a few minutes of jumbled, forgettable “scary” scenes in the end. Waste of time.

Another knockoff of The Strangers, apparently. I didn’t like that movie and I don’t like this one much better. Mysterious masked killers who like to alternate between posing menacingly in the dark and arbitrarily torturing and killing anyone in their way. Bad guys attack family in cabin in the woods, bad guys kill everyone for reasons, the end. It’s just not my thing, these anarchic “realistic” slashers who have no motivation at all. Also found it strange that this movie is set in the early 80’s, which you only know because it tells you so at the beginning, and you see a framed picture of Ronald Reagan on a fireplace mantle and an old-timey TV for a few seconds in the beginning, but other than these two things, you would have no idea that this was happening in the 80’s because those are literally the only references to the time period. Nothing about this feels like the 80’s in any way and I’m guessing that they only slapped that on there to create an excuse for no one to have phones, which they could have used to end this whole stupid story immediately.

Argh. It’s another critic-beloved non-horror horror movie! What is with all the praise for these kinds of movies these days, where they take a drama movie, paste it into a horror setting, but then go out of their way to avoid any actual horror content (despite the fact that they heavily market it as a straight out horror movie)? “Oh, but you see, Richenbaum, IT’S NOT ABOUT THE MONSTERS, IT’S ABOUT THE PEOPLE, WHO ARE THE REAL MONSTERS!”. Give me a break. We’ve all seen that one a hundred times before. Sometimes it works, sometimes it doesn’t. In this case there was very little dialogue or characterization going on, mostly just a lot of random dream sequences and slow, ponderous moments where I guess we’re supposed to be in dread of the thing that we’re told comes at night, but never actually seems to come. I didn’t care about any of the characters or anything that was going on. My wife was sitting there yelling at the characters for how stupid they were. Eventually we just turned it off and moved on.

Boy, this is not our lucky night. This is another one that by all rights should have been at least somewhat entertaining, but just couldn’t keep my interest. This movie is an action comedy, but supposedly it started out as a serious drama and was changed later to become more of a comedy buddy-“cop” film, and it really shows. Neither the drama or the action or the comedy are particularly good. How the hell do you have Ryan Reynolds and Samuel Jackson teamed up in a movie like this and have the comedy be so very weak? They obviously both have the personality for it, but the script just isn’t that good. There are a few mild chuckles in there, but more often it was just tame eye-rolling stuff, and some occasional cringey stuff like the running joke of “oh man, Salma Hayek‘s character sure yells and swears a lot!”. It all felt strangely like a mediocre 90’s action movie. What the fuck was with the music in this too? You’d be watching some big action chase scene where shit’s exploding left and right and a dozen people are being graphically murdered and in the background is some crap that sounds like it’s trying to be a mix of an old Guy Ritchie movie and Austin Powers or something, just really cheesy, generic, and upbeat music that didn’t match what was happening on screen at all. Finally just tuned out about 3/4 of the way in and just turned it off, not really caring what happened in the end. Oh well. Better luck next week, I hope.

Watchin’ Stuff

This is hands-down one of the most ridiculous and unrealistic police action movies ever made, and that’s saying a lot by 80’s movie standards. This is both its greatest weakness and its greatest strength. It’s one of those movies where it’s just so stupid and unbelievable that you don’t know how anyone agreed to it, yet somehow the creators managed to get a relatively large budget and two major action stars involved and it ends up being enjoyable just for the sheer mindless spectacle of it all.

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This was a new one to me. An early Robert Zemeckis film starring a young Kurt Russell in a story that is, again, so absolutely ridiculous and unbelievable that it shouldn’t work, but it somehow does. It’s a pretty decent comedy and is noticeably more vulgar than Zemeckis‘ later, more well-known films, which was a nice surprise for me.

So everyone’s been talking about War of the Planet Apes lately and how great it is (and my wife is suddenly very interested in it for some reason, despite never having seen any of the previous new movies), so we thought we had better catch up on the last few. I never really cared much for the original movies (never actually bothered watching any after the first one) and didn’t like the Tim Burton reboot at all so I was quite surprised to see that this was amazingly good for a movie about talking monkeys.

The sequel (sequel of a prequel is what? pre-sequel? I dunno) was excellent too. I really never expected this from these movies. None of the trailers for any of these new ones ever really caught my attention, but they really are some well-written and well-directed films. Now I wish I’d tried them earlier so we could have gone and seen the newest one in theaters (I know, technically it’s still there but it’s too late for GTX and I’m so spoiled now that it’s GTX or nothing!).

This was fun. A nice, natural-feeling crossover with a ton of excellent action scenes, though I was slightly sad that very few of the piles of ninjas they fought actually dressed like ninjas. Are ninjas not cool anymore? Who doesn’t like classically dressed ninjas?? Anyway, most of the characters even got to do a little evolving here, which was nice. Not Iron Fist though, no, they seem really determined to have him continue to be the idiot of the group for some reason. I mean I like seeing him in action and all, and I seem to be in the minority that actually liked his show (though I liked it more for the Meachum family than for him), but man, this version of Daniel Rand is just so painfully unintelligent and easily manipulated. Anyway…good show overall though!

Thought we would give this a try, being such fans of the old series. Eh. It was ok, but not so good that I’d want to follow it regularly. I understand the need for certain aspects of it to be modernized, and that’s fine (though I don’t like the new digital-looking animation nearly as much as the old hand-drawn stuff), but I think the real problem was that this new version is primarily a comedy and the adventure aspect just felt like an afterthought. As goofy as the original series was, it was always more about the epic adventures than the laughs. #NOTMYDUCKTALES!

Watchin’ stuff

What an unusual mess of a movie. It has its moments, but it’s just so uneven and the characters are so weak that I can’t imagine ever watching it again. I just don’t know what happened here. The movie starts off seeming like some epic action fantasy, then shifts to a very Guy Ritchie feeling comedy, then awkwardly stumbles away from that into suddenly being a really serious revolution drama, then back to flashy action fantasy in the end. It just tries to be too many different things and ends up not really succeeding at any of them. I don’t know what happened to Guy Ritchie. The stuff he’s been working on lately has been pretty disappointing. Let’s see…what’s next for him? What the fuck, a live action version of Aladdin? Ugh.

The next Dario Argento giallo, one that strangely has zero cats in it. I liked this better than Four Flies on Grey Velvet, but it wasn’t quite as good as The Bird With The Crystal Plumage. At least it had an interesting plot and some likable protagonists again. This time it was about a reporter and a blind man teaming up to solve a strange series of murders related to a genetic research lab.

This was unexpected. I, like probably everyone else, forget that Stallone used to do a lot of serious drama movies too back before he turned full-on mindless action hero in the 90’s. There are a couple fights in this, but mostly it’s just Stallone trying to survive in prison as the warden tries to destroy him over a personal grudge. It was a pretty solid drama movie and I’m surprised that I’ve never really heard about it before.

I must have missed this back in 2002. I don’t remember ever hearing of it. From the effects, I’m guessing that this was probably a straight to video movie, so that’s probably why. It’s kind of like a silly low budget knock-off of Total Recall, but it was still enjoyable enough. I liked it more than Splice at least (which kind of lost me once they started fucking the creature…).

I forgot all about this one. Don’t think I’ve seen it since it came out in theaters, which I remember being super excited about as a kid, but ultimately was disappointed that it wasn’t as cool as Tim Burton’s Batman, which it was so very blatantly trying to emulate the success of. I think I appreciate it more now though. It was certainly very visually impressive, with its nice presentation of a cartoonishly bright and colorful dystopian past, half-populated by a bunch of horribly disfigured mutant criminals for some reason. Holds up well if you like ridiculous 90’s comic movies.

You know, I actually only watched this because I thought it was that one with Kurt Russell and Steven Seagal for some reason (apparently that was Executive Decision). It’s still a decent movie though. A bit overdramatic and a little too long, but again, it’s not bad for a 90’s movie.

Decided to try another old Stallone film that I’d never seen. Well…they can’t all be winners. The Specialist tells an awkward story of a heroic…bomber? Yeah, Stallone plays a bombing assassin for hire, except he’s a NICE bomber with a personal code who only blows up people that he decides are bad, so that’s ok. It’s kind of like Blown Away in reverse and with much worse writing. The magical bombs he comes up with are ridiculous and unbelievable, and so is his really weird relationship with Sharon Stone‘s character. Basically she keeps trying to hire him to blow up some people in Miami, and he doesn’t want to go there because that’s where his arch enemy James Woods is, but then he does it anyway because she keeps trying to hit on him over the phone for some reason even though they’ve never met, and then he kind of stalks her a little and sees that she’s already in the process of having sex with her parents’ killer just so she can get closer to him so she can get some nice bomber man in there to bomb him so he says fuck it and does it anyway, and then they fall in love over their mutual interest in bombing dudes or something. I don’t know, it’s all very awkward and unpleasant. Do not recommend.

I don’t know what else needs to be said about this one. Hooray, Rick and Morty is finally back! If you’re not watching this yet, you’re really missing out. Unquestionably the best animated comedy series of modern times.

And finally, we’ve been very slowly trying to work our way through this series. Wife has seen it, but I never have. It doesn’t have the super high quality animation of the movies, but it does have some impressively well-written cyberpunk plots. We’re maybe halfway through the first long season out of two long seasons and a handful of movies. This may take a while, but it will certainly be an enjoyable while if it maintains this level of quality throughout.

Watchin’ Stuff

I’ve seen some really bad horror movies, and sometimes I even enjoy them, but this was a special kind of awful. Let me set a scene for you. A naked girl that’s very visibly completely covered in blood awkwardly stumbles up to people at a campfire.

Girl at campfire: “There’s something wrong with her.”
Guy at campfire: “She’s standing right in front of us. Completely nude. There’s nothing wrong about this.”

People were actually paid to say this out loud. It’s just a small example of how childishly unpleasant the characters and dialogue are in this movie. These characters go far beyond the usual stereotypes of dumb teenagers in horror movies, to the point where it’s not funny, it’s just uncomfortable because it legitimately feels like this was written by a 12 year old child shut-in who doesn’t know what real people act like. Some poor dumb kid who thought “Gee whiz, it sure would be cool to make a horror movie where the monster is a nekkid lady!”, but didn’t consider that movies need things like writers and effects artists and etc., and so just slapped together a movie that’s almost entirely dialogue, all of which is excruciatingly bad, and padded it out with a few horribly juvenile gross-out scenes that lack any humor, and a bunch of cheap jump scares. If you’re going to make a ridiculous gross-out movie, you have to at least bring some funny writing and good effects, because otherwise what do you have? Just another piece of bargain bin trash.

This was an interesting old action movie. It really goes against most of the major action movie cliches of the old days. Jeff Speakman‘s character is a great fighter and ultimately comes out the final winner of the story, but unlike typical action heroes, he takes a lot of nasty hits in the process and even actually loses a few fights. His character is portrayed as surprisingly flawed too, with his hot-headedness and lust for vengeance actually having a pretty negative impact on him and the people around him, as he slowly comes to realize that he needs to learn some self control before he gets someone killed. It’s basically the complete opposite of your standard action hero story, which is perhaps why no knows who Jeff Speakman is anymore, despite there being no shortage of impressive martial arts on display here.

A compelling train wreck by Oliver Stone. U-Turn tells the story of a scumbag criminal who gets stranded in a small town full of other scumbag criminals and finds himself wrapped up in a bunch of their smalltown scumbag politics, as they all try to screw each other over in various ways. There is not one single likable character here, yet they were all interesting and well-acted enough characters to keep me interested in seeing what depravity they would each unleash upon each other next.

Another attempt to get into the giallo genre, since I’ve seen just about everything there is in world of supernatural horror, which I tend to prefer. This is an early Dario Argento movie, who I’ve only ever seen crazy supernatural horror from before. This one holds up pretty well for its age. It’s about an American visiting Italy, who was about to leave, but ends up witnessing a bizarre murder attempt and ends up getting caught up in the hunt for a mysterious serial killer. It’s not as bizarre as Body Puzzle, but it’s a pretty interesting mystery, with some great looking sets. There’s a surprising lack of any real graphic content too for a Dario Argento movie about stabbing people, though it managed to be a good enough story that I didn’t really mind.

Another 70’s giallo by Argento, but I didn’t really enjoy this one as much. It started off with a great premise, but things just don’t come together as well as in the previous one. This time the story is about a man who accidentally kills someone and is then apparently blackmailed by a mysterious stranger, but this stranger doesn’t seem to want money, they just start stalking the guy in increasingly strange ways. The main character just isn’t that likable this time though, and since his situation is all about saving his own ass instead of stopping a killer, his attempts to deal with the situation all end up coming off as pretty weasely. The final reveal of the killer and their explanation for their actions feels a little more convoluted and forced too, and things are resolved much too quickly immediately afterwards. Oh well.

Man, I haven’t seen this in a loooong time. Great animation and a fascinating story that makes you wonder even more exactly why the hell they changed the story of the modern remake so much. The only real downside of this movie is that it goes by so quickly, setting up this amazing cyberpunk world and then ending right when things get most interesting.

I had never seen the sequel. It’s pretty good and satisfyingly continues the adventures of some of the characters from the previous movie, despite being a bit heavy on the exposition and philosophy quotes. I had no idea just how many more sequels and prequels there have been since this came out. It’s going to take quite some time to get through all of them after this…

One final item of interest, the final season of The Strain has begun. I can only hope that Zack, the absolute worst child character to ever live, dies a horrible, horrible death before it all ends. Hopefully he becomes the new king of the vampires only to get locked in a box and dropped to the bottom of the ocean for eternity…

Watchin’ Stuff

Watched this and its sequel on Netflix. They’re certainly interesting experiments in film-making. 26 different directors do their own short horror story for each of the letters of the alphabet. There are a good deal of segments that are merely mediocre, but surprisingly, there are very few that I would call full-on bad. In fact, only one really stood out as truly awful (“P-p-p-p-p is for scary”, which is even worse than that awful title makes it sound). There are enough good segments and enough variety that they manage to be entertaining overall, despite their inconsistency. There’s some reeeeeally strange stories in here too, like a disturbing Indonesian segment about a to-the-death masturbation tournament or a claymation segment about a young child and a killer toilet.

Also on Netflix, Black Road is a near future cyberpunk/Noir story that I have to give SOME credit for trying so hard and doing so many things so well despite having such a blatantly low budget. Ultimately, it doesn’t seem to know how to resolve anything it spends most of its time building up though. There’s this whole weird pseudo-mystical element thrown in there, where the ex-husband, who is the target of the investigation, is some kind of weird cult leader who gets all these people hooked on this weird mind controlling black root, which seems to give him some kind of special powers, but it’s never really explored or explained any further than this. Instead, despite all its valiant efforts to appear otherwise, it never manages to rise above being a very straightforward and cliched detective story, with a boring, too-convenient ending. Oh well.

This was decent. It’s visually amazing, and it’s very impressive that we’ve come so far that a story like this can be done in live action and look almost entirely convincing. I guess I can see why a lot of people are upset about it though. It’s strange and disappointing that they worked so hard to do so many scene-for-scene recreations from the original manga and anime, yet felt the need to dumb down the core plot and the ending by entirely removing A.I. from the story. Where the original was more about accepting the merge with machinekind in order to evolve, this version instead seems to be on the verge of demonizing technology and suggesting that we must uncompromisingly hold on to our humanity at all costs, and does so with a generic, happy Hollywood ending that doesn’t seem to serve any purpose other than to try to leave things open for sequels (which we’ll never see, because it sold horribly). As a sci-fi action movie in general, it was entertaining enough that I didn’t really think about any of this until afterwards because it was successfully holding my attention, but as an adaptation of a previously existing story, it’s a little depressing in its oddly specifically sanitized nature.

I tell ya, it sure made us want to go watch the original anime again though. In fact, it really got me thinking about all the old anime I used to watch and how I haven’t touched any of that stuff in so many years now, and I think I might have to go on a veritable anime frenzy now. Time to dig up all that old stuff like Bubblegum Crisis, Guyver, Ninja Scroll, Vampire Hunter D and etc!

An 80’s horror about a haunted prison, starring a young Viggo Mortensen, and directed by the semi-controversial and semi-competent action-movie-maker Renny Harlin. It’s pretty goofy and it’s very clear that everyone involved in this production did little to no research on how prisons actually work. It has some decent effects for its time and its not completely awful, but its not particularly memorable either.

The Attorney is a Korean legal drama set in the 80’s that is nowhere near as happy and pleasant as it seems to want you to think it is. It starts off being pretty light and goofy and continues along these lines, while focusing on the main character’s road to success in the legal world and sticks with this for around half of the whole movie before suddenly plunging into a super serious and somewhat dark case involving the arrest and torture of a group of youths who are falsely accused of being communists. These kind of jarring shifts in tone and slow, heavy focus on the development of single characters are pretty typical for Korean films and they can be a bit hard to digest if you’re not used to them, especially if done poorly, but I think it worked pretty well here. It’s a pretty interesting story that will probably leave you simultaneously depressed and inspired.

Sorry to the friend that recommended this to me, but I just couldn’t get into this at all. It makes the recent disappointing American remake of Godzilla look action packed in comparison. I didn’t even finish it, having had enough after the first hour, which was literally made up of about 5 minutes of monster action and 55 minutes of old bureaucrats sitting in various rooms, arguing about what to do about the situation. That’s…not for me.

The last bizarre comedy by Robert Zemeckis before he suddenly turned into “that guy who does all those biopics”. I don’t think I’ve seen this since it came out. It holds up decently. It’s no Back To The Future or Beetlejuice, but it’s decently funny and interesting.

 

Watchin’ stuff

Saw this tonight finally. Man, it was great. They changed so much from the original stories, yet somehow it still felt like the most authentic Spider-Man I’ve ever seen in a movie. Spider-Man is one of my very favorite characters, but Raimi’s Spider-Man and The Amazing Sony-Man just didn’t do it for me and I’ve been waiting so, so long for a Spider-Man movie that I could actually enjoy, and this really delivered. Now that the non-origin origin movie is out of the way, I expect that things will get even better from here on out too. Oh man, it’s going to be so damn long until the next one comes out. Arghhhh.

A Dan O’Bannon classic. Maybe not as iconic or tightly produced as other movies he’s been attached to, but it’s still a pretty solid horror film. It’s a modern day (at least it was in the 80’s) re-telling of H.P. Lovecraft‘s The Case of Charles Dexter Ward. Just that whole part where they explore the catacombs makes it worth watching (and re-watching).

A supernatural horror movie starring Robert DeNiro, Sigourney Weaver, Cilian Murphy, Elizabeth Olsen, and more? How the hell have I never heard of this? Oh. Because it’s not that good, and not even actually a horror movie at all. Weaver and Murphy play a pair of supernatural debunkers who end up facing off against DeNiro‘s character, who is basically the Moby Dick of spiritual performers. It plays out just how you’d expect such a story to play out, except with a twist, but the twist is telegraphed too blatantly too early on, and fails to have any impact when it’s finally confirmed in the end. Not a terrible movie, but not one I’d ever watch again.

Somehow, while watching old Twin Peaks, I got the bright idea to give this movie another chance because I seemed to remember it having the people who played Ed and Nadine as the villains. I never really got into this movie back in the day, and I personally don’t think Wes Craven had done anything worthwhile since Shocker, and I should have stuck with that original impression. I just don’t see the appeal. It’s like a cross between an episode of Goosebumps and a Tom and Jerry cartoon. If it weren’t for an occasional splash of blood and all the swearing, I’d think that this was made for children. I suppose the same could really be said of things like Nightmare on Elm Street (the later movies anyway) or Shocker too, but those had much more interesting villains and death scenes to make them stand out.

Uzumaki, or Spiral, is based on the manga of the same name by Junji Ito, one of the rare few manga creators I know and enjoy the works of. The original story was a dark and twisted tale that felt like a lost relative of Silent Hill or something, but this movie adaptation decided to take a much goofier tone for some reason. It was just too slow and silly to make the rare disturbing parts worth waiting around for. Better to just read the comic instead. In fact, now I really want to read some Junji Ito stuff again, and maybe find some new similar stuff (anyone know of any?).

Ahhh, now this was a manga adaptation that was much more to my liking. I actually haven’t read Blame! yet (it’s on my to-read list), but this was a really good dark sci-fi story that felt kind of like all the old 80’s cyberpunk anime I liked so much. It’s set in a future where machines have become the dominant life-form and turned the world into this giant, ever-expanding machine city where only a small village of humans remain in hiding. It’s a world with a whole lot of potential, that this movie only has time to get into a little bit of, but it does it really well and I think that manga just jumped up quite a few places on that to-read list. Apparently Knights of Sedonia, an ongoing anime also on Netflix, was made by the same creator too. I’ll have to check that out soon.

Oh boy, finally it’s time to watch the new Twin Peaks and see the resolution to that massive cliffhanger that the old show left! Too bad it’s fucking awful! Holy shit is this a disappointing mess. I don’t think I’ve ever seen something in such dire need of heavy editing. I know David Lynch loves to take his time and dwell on really superfluous and/or awkward details, but this is ridiculous. I’ve never seen a movie or show with so many completely unnecessary scenes, and I’m not even talking about the weird, confusing parts, because I fully understand that those are a part of any given Lynch production and most actually probably do have some yet-to-be-explained significance. No, I’m talking about the absolutely worthless nonsense like a doddering old lady noticing that there’s a weird smell coming from next door, then calls the police, then they show the police arriving and walking in, then have an overly long conversation with her about who might have the keys to the door, then she finally tells them who might have a key, they go to talk to him, end up running into someone else that they have another overly long and awkward conversation with, only to have the woman come to the window and tell them she actually had the key all along because she waters her neighbors plants when she’s on vacation. This is an excruciating almost 10 minutes of empty nonsense, all just so they can get in this door and find a dead woman, which anyone with half a brain could have told you was where this was heading in the first few seconds when no one answered the door and a weird smell was noticed.

Lynch uses this tactic of a lot in his work, the unnecessary drawing out of so many scenes, in what I feel is an annoying approach to trying to build suspense and apprehension, but he’s taken it too far this time. It just goes on and on like this, meandering all over the place with little to no direction, and a bizarrely small amount of screen time given to any familiar old characters. My wife and I couldn’t take any more after just 2 episodes of this, and you want us to sit through 18 HOURS of this? We have this awful feeling that this is all going to end with even more unanswered questions than there were before too. Boy, I would really like to know how this all finally ends though. Can I really force myself to watch another 16 hours of this crap? Maybe if we only watch 1 or 2 at a time until we’re caught up? I just don’t know. What a disappointment.

Awww yeah. An R rated Castlevania show written by fucking Warren Ellis? This can’t go wrong this time…can it? Oh good, some good news! This show is amazing! Much more violent and vulgar than I was expecting. You can sure tell that Ellis wrote this. The story and dialogue are top notch and the action is reminiscent of a dark, serious, hyper-violent anime. Vampire Hunter D comes to mind. The only downside is that there are only 4 half hour episodes for some reason. I know first seasons tend to be hesitant to be long, but man that’s short. There’s just enough time to set the characters up to embark on a grand journey to defeat Dracula and his minions, and then things are over just when they’re getting really good. On the plus side, it seems to have already been renewed for a second season, so I imagine it’ll be longer next time.

Watchin’ Stuff

Wow, look at that crazy 80’s cover! This movie is about Jeffrey Combs, who’s a comic book artist who brings a monster to life with his art because he was for some reason drawing a comic and reading passages out of some Satanic grimoire simultaneously! How could I have missed something like this for all these years? Well, probably because Jeffrey Combs dies in the first 5 minutes and the rest is pretty awful. It’s just like a longer, more boring version of that Tales From The Crypt episode with the same plot, which now that I think of it was based on a Tales From The Crypt comic, so I guess Cellar Dweller read that same issue and stole it. Bleh. Also, I just realized they spelled cellar wrong on the cover there. Ugh.

A strange little giallo film from Lamberto Bava of Demons fame. It’s a bizarre little murder mystery that was filmed well for its time and has some pretty imaginative death scenes. If you have any interest in this sort of thing I would suggest that you don’t look up descriptions of it, because they give away one of the major secrets of the movie, one that otherwise isn’t revealed until pretty late in the movie and would have probably been quite a surprise if it hadn’t already been revealed by IMDB. Let’s just say that the killer is removing various pieces of his victims for mysterious reasons. Knowing the “what” seemed to render the “why” very easy to figure out. Knowing what I did, I thought I could see what the motive was within the first 15 minutes. I turned out to be quite wrong though. Things were not at all as they seemed and the mystery was much more clever and interesting than I’d expected.

The Dinner is described as “Two sets of wealthy parents meet for dinner to decide what to do about a crime their sons have committed”. Two hours of people talking at dinner isn’t usually my idea of a thrilling movie, but it had some good reviews and a good cast so I thought I’d give it a shot. Unfortunately they spend 3/4 of the movie avoiding actually talking about the main subject of the story and instead end up wandering off into endless flashback tangents, mostly involving how mentally ill and utterly unpleasant Steve Coogan‘s character is. I just didn’t find it all that interesting, watching a movie mostly comprised of him being a miserable petulant asshole to his family. I stuck with it hoping there would be some point to it all, but instead the final quarter just devolved into everyone being completely unlikable and spoiler alert: the whole thing just comes to an extremely abrupt non-ending where absolutely nothing was resolved for anyone. Great. Ultimately it was all just a dead-end character study of an absolutely miserable bunch of people, with nothing at all to say except “family politics can be messed up, yo!”. That’s deep, bro.

Well that was wayyyyy better than the unfortunate Godzilla reboot from a few years ago where they spent most of the movie trying their best to avoid showing any of the creatures the movie was supposedly about. Instead, Kong is an almost non-stop visual spectacle with a much better cast of characters and a heaping helping of crazy looking action scenes with a pretty good variety of monsters. This made me actually interested in the “Monsterverse” again.

Eh. This was ok. A bunch of people are locked in an office building and forced to kill each other to survive. It evokes memories of movies like Cube or Saw, but doesn’t manage to be as memorable as either of those. It claims to be a study of human behavior during times of crisis, but it’s all pretty by-the-numbers. The people who are portrayed as the jerks of the office in the beginning, naturally turn out to be the worst of the lot, the morally righteous nice guy protagonist does his standard duty of trying to get everyone to do the right thing, and it all turns out pretty much exactly how you would expect it to.

An early Danny Boyle film that ironically, is also about a bunch of miserable people doing terrible things, yet somehow manages to be enjoyable. It must be a tricky thing, trying to make a movie about terrible, unlikable people doing terrible things, but at the same time making them and their story compelling enough to be entertaining instead of just being repulsive. Boyle has proven many times to be a director that’s capable of successfully finding that balance.

Season 2 of Preacher has begun. I never expected to like this show, with it being just about my favorite comic ever, I never in a million years expected anyone could do it justice in television or movie form. The show strays pretty damn far away from the original story, but that’s turned out to work out rather well for it. It manages to capture the feeling of the comic pretty well, but is taking it in its own very different direction, and amazingly it works.

We also just finished catching up on old Twin Peaks in order to finally watch the new season. I had never seen all the old ones, because I’d heard about it all ending on a massive cliffhanger that was never resolved, so I figured I shouldn’t bother setting myself up for disappointment, but here we are 25 years later with the story finally receiving a conclusion. Not one to do these things half-assed, I ended up tracking down the fan-edited version of the Fire Walk With Me movie, which impressively sticks all the deleted footage from the later released The Missing Pieces back into the movie in proper order, resulting in a massive 3 and half hour production. Now we’re finally ready to begin Twin Peaks season 3…

Watchin’ stuff

Cub is a Belgian horror movie that came out in 2014. I found it randomly on Amazon Prime‘s movie streaming service (it may or may not be part of our recent Starz add-on, I’m not entirely sure). It has actually been the only good “new” horror movie I’ve found in the piles and piles of crap on there so far (aside from the obvious big good ones that we’ve all seen a million times already). Cub is about a troubled young Boy Scout who meets a strange feral child in the woods on a Scout camping trip. The movie kind of makes it seem like it’s going to be one of those cutesy coming-of-age stories where they become friends and everything works out fine in the end, but then it suddenly take some very dark turns. It’s not particularly gory for a horror movie, but it manages to be pretty disturbing anyway. Very memorable ending. Definitely recommended for horror fans.

As ridiculously cheesy and over-dramatic as you’d expect from a Resident Evil story. Vendetta is packed full of painfully moronic cannon fodder characters, people screaming NOOOOOO at the sky, and a lot of amazing looking action sequences. It’s nothing more than a mindless spectacle of zombies, monsters, and explosions, but it does a good job of it and doesn’t pretend to be anything more than it is. A nice treat for Resident Evil fans, but probably not so much for anyone else.

Raistlin0903 convinced me to give this another chance. It really is better than I remember it being. There are some occasional iffy effects, mainly that guy with the splitting face, and I still feel like there are an unusually high amount of plot points that were exactly the same as the Carpenter version, but it still sets itself apart enough to be enjoyable overall.

The television series of The Mist premiered this week. There wasn’t much mist action yet, as the first episode was mostly introducing the various characters and setting things up for the mist to arrive near the end of the episode, but the few moments of horror were surprisingly graphic and good looking. The character drama so far is pretty dark right from the beginning too, so this looks like it’s going to be another fun horror show. Amazing how many quality horror shows are appearing these days.

Movie Night XI: The Goatening

This contains the movie night of this week and last week…COMBINED! Not that this is a relevant distinction in any way, but there it is anyway.

Fracture (2007)fractureAnother law thriller from the director of Primal Fear. A bit more predictable than Primal Fear, but it was still clever and interesting enough to be worthwhile.

Continue reading “Movie Night XI: The Goatening”