Night of the Emus

I’m amazed at how much of this I remembered how to do after all these years, though there were still a few things I had to look up again, because holy shit was this game complicated. I don’t think I ever would have made it through it back in the day if I hadn’t borrowed the notes of a friend. Fun times though. Playing this again because I really want to finally get around to trying out Beyond Shadowgate some time soon. Always wanted to play that even though it’s probably terrible. I wouldn’t mind busting out the old Deja Vu again too, but I remember even less about how to play that one.

Immediately upon starting this I was almost overwhelmed with nostalgia power, because holy shit this is just one of those quintessential NES games that really highlights how impressive the games could be despite the huge limitations of the time. Unfortunately, it’s also one of the fucking cheapest games around too. The Tyson fight at the end is just insane and it’s massively unfair too. I managed to knock him down about four times over the three rounds, and he didn’t knock me down once (because I cheated), and they STILL DECLARED HIM THE DECIDED WINNER AT THE END! That’s bullshit. You don’t just start back at the beginning of the fight if you lose either, you have to go back and do the previous Super Macho Man fight all over again too. ARGHHHH. I don’t think I was ever able to beat that final Tyson fight even as a hyper-reflexed kid. It’s just ridiculous. Still, fun game though, other than that.

Night of the Emus

In the mood for some TurboGrafx 16 today, though I may come to regret it…

I’m just going to come right out and say it. This game is shit. It always looked so cool back in the day with it’s fancy 16-bit robot fighting, but in reality the robot fighting is actually a very small part of the game, and the game is just a shoddy production all around. There are 7 “worlds”, each with an overworld level and an underworld level, or playing a slow human in a town setting level and being a cool looking robot guy in a robot fighting level. Thing is, not only do these levels just copy and paste the same exact locations and enemies over and over again, just in slightly different order and with different colors (hell there’s only 2 damn songs that play on a loop for overworld/underworld for the entire game too), but you’re also going to be spending more time grinding for gold in the overworld than you will anything else. The only way to get weapon upgrades is to buy them at ridiculously high prices, and gold only drops from overworld enemies, and only at a rate of something like 1 in 10 kills. There’s no other way to get gold and you absolutely will not make it through the game without the upgrades, so get used to a shitload of boring grinding and fighting the same enemies over and over and over again. This game does not hold up one bit.

Looking back on it, Astyanax totally ripped this game off. This game gets a hell of a lot harder than Astyanax though. It’s a basic, but fun little hack and slash platformer, though it requires a lot of patience in the later levels. You’ll have to do a lot of standing around, waiting for your attack meter to fill back up to maximum, because you’re just going to get your ass beat otherwise. You get to fight angry bears with an axe though, so it’s got that going for it.

The sequel seems like an entirely different game, ditching almost everything about the original other than the fact that it’s also a side scrolling hack/slash platformer. The attack power bar is gone, the pace is much faster, and instead of some dirty caveman, you’re some Egyptian looking guy with a sword for some reason. It seems like there’s some kind of story here, but the game never bothers to tell it to you. Whatever. It’s a fun little game and it was actually a bit better than the first one.

Holy shit is this game bad. I knew I was in for a bad time right from the beginning when they got the theme song completely wrong, and it was just downhill from there. Horrible platforming that has you awkwardly jumping and slamming your ass into enemies to beat them, instead of you know, using the gun you’re carrying around. Awful, unfinished sounding music. It’s just a mess. If you ever get the urge to play a Darkwing Duck game just stick with Capcom‘s NES version, it’s much better than this.

This game always looked so cool back in the day, but I never got a chance to play it. Eh. It’s not that great. Nice graphics for the time, but it just feels like a weird mash-up/knock-off of Ninja Gaiden 2 and Legend of Kage. The bosses are kind of cool, but in between you’re just running in long straight lines every level, mashing the attack button over and over again, occasionally tossing a jump in there. It’s just very stale and repetitive. Not feeling it at all. Ehhhh I give up. No more games tonight!

That Final Fantasy XV ending

WARNING: This is obviously going to contain massive spoilers for the game, so you probably want to stop reading right about now if you don’t want to know all the secrets yet. If you don’t want spoilers, try my spoiler-free review HERE instead!


So, there seems to be a lot of anger out there regarding the ending, specifically regarding the lack of details and the seemingly contradictory actions of the big bad, Ardyn. Ardyn reveals late in the game that he’s that he was king before your family became the line of royalty, that he was the one who saved his kingdom from the demons by absorbing them all into his own body, which resulted in him being exiled for his troubles because no one wanted this crazy immortal guy full of millions of demons hanging around, and so everything he’s done has been to get his revenge on the new royal bloodline.

This is a guy who was basically running the evil empire from behind the scenes by whispering into the emperor’s ear, who used his stored demonic powers to help the empire create demon/human hybrid soldiers to win the war with by experimenting on thousands of children, who was responsible for the overthrowing of Noct‘s home and the death of his father, went on to plunge the whole world into a demon-infested eternal darkness, and was personally responsible for murdering Noct‘s fiancee right in front of him.

And yet throughout the game we see him helping Noct several times during his journey. He seems to go out of his way to ensure that Noct gains access to more royal arms and aeons, which will only make Noct more powerful and help him with his efforts against the empire. Ardyn even goes as far as to make sure that Noct receives the ultra-powerful Ring of the Lucii, which is supposed to be the most powerful royal artifact and the key to saving the world. Ardyn literally has his hands right on it and flat out refuses to take it, insisting that it must get to Noct, and it does eventually lead Noct to the final power he needs too, which he uses to beat Ardyn in the end, which he probably wouldn’t have been able to do without.

So why did Ardyn go to such great lengths to both torment and help Noct? The answer seems kind of obvious to me (probably from reading all those damn comic books): Ardyn really just wanted to die. Here was a guy that was so powerful that he could defeat an entire legion of demons by himself, who became immortal because of it, but was stripped of his crown, shunned and exiled, and probably in constant pain from having to deal with containing all those demons. Everything he had was gone, no one wanted anything to do with him, and he couldn’t even die in peace.

Sure, he probably really did also want revenge on the new royal family too, but that was just a bonus. Think about it, every action he took was to help make Noct more powerful, and looking back on it, what seemed like simple sadistic torment, was actually Ardyn taking every opportunity to make Noct hate him and want to kill him as much as humanly possible. It was all about creating the ultimate weapon to destroy himself with. Ardyn even taunts Noct after the final battle when they’re both in the spirit realm, making sure to let him know that his body dying won’t actually stop him from coming back, that his spirit needs to be completely destroyed too. Why in the world would you say something like that at that moment unless you were asking for it?

It’s interesting because it seems like a semi-happy ending for the world, where Noct gives his life to defeat the big bad and bring light back to the world to banish the demon infestation, and so hooray, things are great for everyone, right? Except…Ardyn actually got everything he wanted, didn’t he? Not only did he finally find his eternal rest, but he took every single one of his enemies with him in the process, and hey, too bad for those who knows how many people that died and/or lived torturous existences as Magitek troopers. Everything went exactly to his plan. The bad guy won and no one even noticed. How fucked up is that? As barebones as the plot of this game was, I have to at least give it credit for this aspect of it.

So…anyone else out there finish this game yet and actually read this? Got any thoughts? Alternate theories? Horrible insults? Whatever?

Night Of The Emus

Well, what was going to be another night of old games turned into a night of just Ghostbusters, because this game is way longer than I remember it being. It ended up taking almost 5 hours. It would have taken much longer without save states. This is yet another game where I have no idea how I was able to beat it legitimately as a child. The controls are pretty clunky, but manageable after some practice. The levels are confusing mazes of platforming that require you to find and defeat all the “lesser” bosses before the door to the final boss opens, but even the regular bosses can be really nasty customers. Sometimes they’re actually even worse than the final boss they lead to. The bosses are the both the best and worst thing about this game. They’re all really well designed, visually, but many of them have such a ridiculous amount of health, and/or such tiny weak spots that are the only place you can deal them damage, that it really begins to test your patience.

There are some weapons and upgrades to buy between levels, but they’re so expensive that you can only really afford to buy 1 or 2, and most of them aren’t really all that helpful. You just have to learn to rely on your pitiful little normal gun if you happen to pick the wrong items to blow your money on. I guess I really should have played this on Easy too. Didn’t even think about it until after the fact. Ooops! Maybe I should get back to all those Castlevania games I’m supposed to be playing…

NIGHT OF THE EMUS

This game was so much better in the arcade, but I’m not about to go buy a ball controller just to play arcade Marble Madness in MAME, so I guess I just have to settle for the old NES version! This game is not great. It’s ridiculously short, but also mind-numbingly difficult, mainly just due to the awful controls. I have no idea how I was able to beat this as a kid. A lot of practice I guess. I can’t imagine spending more than 20-30 minutes on this game nowadays. I would play the shit out of it if I saw the arcade version somewhere though.

My cousin had this game for some reason and that’s the only reason that I ever played it, because no one else in their right minds would ever buy this game. This is another one where the game is actually incredibly short, but also painfully, unfairly difficult, so the playtime is padded out with godawful replay after replay. You just keep moving your boat back and forth between the same two ports over and over again, farming shells as much as you can because each time you reach a port you can use shells to get power upgrades and you cannot possibly beat the first phases of the Jaws battle without many power boosts. Once you finally have enough power to beat Jaws, who you keep running into over and over again randomly throughout your repetitive journey, if you manage to whittle his life bar down you get to engage in the final battle sequence. In the final battle Jaws rushes toward your boat in a crazy serpentine pattern and you have to hit A to use a strobe light, which makes him leap out of the water for some reason, but he has to be in the exact right spot in front of you for you to press B to stab him with the front of the boat, which you also have to do at the exact right moment. You only get three shots and if don’t do it you’re kicked back out to the normal game where Jaws now has his entire health bar again. HOORAY. Don’t play this game unless you have some kind of weird masochistic nostalgic attachment to it. Just don’t do it.

Arrrrgh. This is actually even worse than Jaws. Iconic crane kicks, leg sweeps, and levels and mini-games that vaguely resemble the movies aren’t enough to cover up the foul stench here. Karate Kid has horrible combat and even worse controls. It’s also another embarrassingly short one. Again, you should not play this game. Why did I play this game? I think I might have sworn off playing it forever last time, but then forgotten because it was so long ago. Then I drank a lot and it seemed like a good idea to play it again. Note to future self: STOP PLAYING THIS DAMN GAME! (I will totally end up playing it again 10 years from now anyway, I just know it…)

Because I’m making so many very bad decisions tonight, I decided to play Total Recall next. WHAT’S WRONG WITH ME? WHAT AM I DOING? WHY ARE MIDGETS JUMPING OUT OF HALLWAYS TO PULL ME INTO KUNG FU BATTLE TRAPS THAT DIDN’T EVEN HAPPEN IN THE MOVIE WTFFFFFFFFFFFFFFF! No, I can’t do it, it’s too much. This game is just too terrible. It does have a super catchy theme song though for some reason.

I bet nostalgia will trick me into playing this one again someday too, but not today, no, not today…

Time for at least one decent one to wash the taste of all that crap out of my mouth. Ehhhh. Captain Skyhawk doesn’t hold up super well either, but it’s still miles ahead of the last few games. You fly what appears to be an F-15 around blowing up bad guys, except you’re flying through some weird geometric places that look like the 1970s’ idea of what virtual reality looked like, and also sometimes taking place in Top Gun/Afterburner style dogfights, and also sometimes in space. Just flying your F-15 around in space, because fuck it, it’s just an NES game, why even try to make it make sense? It’s an ok game though. I guess.

I don’t know why I picked such crappy games tonight. Just feeling flagellant, I guess (I KNOW THAT’S A NOUN! WHAT ARE YOU GONNA DO ABOUT IT?!).

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This is a somewhat clunky, but still pretty solid sidescrolling hack and slash game with an absolutely horrendous story. The music is kind of simplistic and repetitive, yet oddly catchy. The level design is questionable at times, but there are a lot of cool boss fights. It’s not one of those absolutely essential NES titles, but it holds up well enough to still be fun.

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Now THIS is one of those absolutely essential NES titles. Super Spy Hunter takes the catchy formula of Spy Hunter and improves on it in every possible way. It’s got cool upgradable future cars with roof turrets that you can aim in 360 degrees and a bunch of explosively crazy boss fights. Killer soundtrack too. Probably the best thing Sunsoft ever did aside from Blaster Master.

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Sometimes our fond memories are misleading and we forget that there were games we had that we forced ourselves to enjoy because we had them, were stuck with them, and had nothing better to do. This is one of those games. Holy shit this game is shoddy. The cutscenes are so basic and unfinished, and the art from them is just constantly recycled, and the dialogue is just abysmal. I mean, I know that the dialogue in most NES games is goofy and semi-incoherent, usually due to translation issues, but this is especially badly and lazily written even by those standards. The gameplay is just a broken mash-up of Shinobi and Rolling Thunder, and the boss fights are just horrible.

This fight is even worse than it looks. Why did I ever think this was cool? What the fuck was wrong with me? I suppose I was just happy to have another ninja game, but man, this is just complete trash. Give me Ninja Gaiden or Shinobi over this crap any day.

Hitler No Fukkatsu: Top Secret! This is what would come to be known to us English speakers as Bionic Commando. I always wanted to play the original, uncensored version and now thanks to the wonders of random strangers on the internet with too much time on their hands, this game can now be played in English. It wasn’t really much different though. Hitler is now openly referred to as Hitler instead of Master D, not that anyone who played the censored version couldn’t tell who he was, there’s a lot of swastikas and really atrocious dialogue that was supposed to be what a German accent sounded like, and a couple more light swear words popped up. That’s about it. Nothing else was different. Having finally played it, I think I actually prefer the censored version. As bad as the translation to English was in the U.S. version, it was actually better (and more pleasantly familiar) than the dreadful pseudo-German nonsense.

Speaking of Bionic Commando, did you know that there were a bunch of people that were upset about Super Joe being the villain in that “modern” Bionic Commando game from 2008 or so? You know, Super Joe? The guy that had like 2 whole lines of dialogue in the game, who spent almost the entire game in captivity while you did all the work and then basically took credit for it all in the end? I CAN’T BELIEVE IT, HE SEEMED LIKE SUCH A NICE GUY!

What? You’ve never heard of SHADOW BLASTERS? By SAGE’S CREATION?? Yeah, I don’t know. It was just another one of those weird Genesis games that you never heard of outside of the local video store. It has a weird kind of tag-team system kind of like TMNT for NES, but it’s also kind of a shooter and you can raise the power levels of each of your 4 guys as you take them through a bunch of weird levels and bosses. It’s a little clunky, but it’s mostly fun. The soundtrack is one of the best you’ll ever hear on a Genesis game too. Just listen to that shit:

URGHHHHH. THEY GOT ME AGAIN. GOT ME AGAIN WITH THE GHOULIN’ AND THE GHOSTIN’! This fucking game. It pulls the exact same trick as the first one. Get to the end? Fuck you. You didn’t get the magic item back in level 2 (which I’m almost completely certain is not actually there for you to get during your first playthrough), so now you have to start all over from the beginning.

Man this game doesn’t hold up well at all either, also much like its predecessor. It’s a very early Genesis game, one that clearly wasn’t familiar with the technology yet, and it shows. The graphics are really inconsistent. The music is awkward and seems almost unfinished. The sound effects are just embarrassing. I thought the game was glitching out or something, so I went to look up some videos and no, it really actually sounds like that. The hit detection is just unbelievably bad. If a game came out in this state today it would destroy the series it was attached to overnight, but somehow everyone was ok with this back then. Sometimes…sometimes nostalgia is wrong.

It’s a shockingly shoddy game and it takes great joy in crushing you with objectively unfair odds and broken mechanics and acting like it’s your fault for not being good enough. Well, I’m not fallin’ for it this time. I’m not playing you again to get the real boss and I’m not gonna play the damn sequel after this either! Take that, already dead Ghosts n’ Goblins franchise!

Now Playing: Highway Hunter (1994)

I’ve been neglecting my old computer since I got that new tv…so I must rectify that with some old-timey games, starting with Highway Hunter!

There’s not a lot to say about Highway Hunter, really. It’s kind of a Super Spy Hunter clone published by Epic Megagames back in the 90s. It’s simple and fun and has a decent, if a little amateurish, 90s midi soundtrack.

I’m not entirely sure why it didn’t get any of the recognition that other similar games of the time, like Raptor or Tyrian, got.

It had good variety in its levels, enemies, and weapons. It had a lot of interesting level locations and bosses. It even had a level where it turns out that the road you’ve been driving on is actually a giant snake and the boss is the snake’s head, and somehow you blow up the snake’s head and drive off into the sunset on the body of the snake whose head you just blew up, which makes no fucking sense at all but damn is that fucking metal or what?

The only downsides are that the game has some slowdown issues even on modern systems and is pretty short, about 90 minutes to blow through all 3 episodes. Very solid, fun little 90s shooter though.