Wow, look at that crazy 80’s cover! This movie is about Jeffrey Combs, who’s a comic book artist who brings a monster to life with his art because he was for some reason drawing a comic and reading passages out of some Satanic grimoire simultaneously! How could I have missed something like this for all these years? Well, probably because Jeffrey Combs dies in the first 5 minutes and the rest is pretty awful. It’s just like a longer, more boring version of that Tales From The Crypt episode with the same plot, which now that I think of it was based on a Tales From The Crypt comic, so I guess Cellar Dweller read that same issue and stole it. Bleh. Also, I just realized they spelled cellar wrong on the cover there. Ugh.
A strange little giallo film from Lamberto Bava of Demons fame. It’s a bizarre little murder mystery that was filmed well for its time and has some pretty imaginative death scenes. If you have any interest in this sort of thing I would suggest that you don’t look up descriptions of it, because they give away one of the major secrets of the movie, one that otherwise isn’t revealed until pretty late in the movie and would have probably been quite a surprise if it hadn’t already been revealed by IMDB. Let’s just say that the killer is removing various pieces of his victims for mysterious reasons. Knowing the “what” seemed to render the “why” very easy to figure out. Knowing what I did, I thought I could see what the motive was within the first 15 minutes. I turned out to be quite wrong though. Things were not at all as they seemed and the mystery was much more clever and interesting than I’d expected.
The Dinner is described as “Two sets of wealthy parents meet for dinner to decide what to do about a crime their sons have committed”. Two hours of people talking at dinner isn’t usually my idea of a thrilling movie, but it had some good reviews and a good cast so I thought I’d give it a shot. Unfortunately they spend 3/4 of the movie avoiding actually talking about the main subject of the story and instead end up wandering off into endless flashback tangents, mostly involving how mentally ill and utterly unpleasant Steve Coogan‘s character is. I just didn’t find it all that interesting, watching a movie mostly comprised of him being a miserable petulant asshole to his family. I stuck with it hoping there would be some point to it all, but instead the final quarter just devolved into everyone being completely unlikable and spoiler alert: the whole thing just comes to an extremely abrupt non-ending where absolutely nothing was resolved for anyone. Great. Ultimately it was all just a dead-end character study of an absolutely miserable bunch of people, with nothing at all to say except “family politics can be messed up, yo!”. That’s deep, bro.
Well that was wayyyyy better than the unfortunate Godzilla reboot from a few years ago where they spent most of the movie trying their best to avoid showing any of the creatures the movie was supposedly about. Instead, Kong is an almost non-stop visual spectacle with a much better cast of characters and a heaping helping of crazy looking action scenes with a pretty good variety of monsters. This made me actually interested in the “Monsterverse” again.
Eh. This was ok. A bunch of people are locked in an office building and forced to kill each other to survive. It evokes memories of movies like Cube or Saw, but doesn’t manage to be as memorable as either of those. It claims to be a study of human behavior during times of crisis, but it’s all pretty by-the-numbers. The people who are portrayed as the jerks of the office in the beginning, naturally turn out to be the worst of the lot, the morally righteous nice guy protagonist does his standard duty of trying to get everyone to do the right thing, and it all turns out pretty much exactly how you would expect it to.
An early Danny Boyle film that ironically, is also about a bunch of miserable people doing terrible things, yet somehow manages to be enjoyable. It must be a tricky thing, trying to make a movie about terrible, unlikable people doing terrible things, but at the same time making them and their story compelling enough to be entertaining instead of just being repulsive. Boyle has proven many times to be a director that’s capable of successfully finding that balance.
Season 2 of Preacher has begun. I never expected to like this show, with it being just about my favorite comic ever, I never in a million years expected anyone could do it justice in television or movie form. The show strays pretty damn far away from the original story, but that’s turned out to work out rather well for it. It manages to capture the feeling of the comic pretty well, but is taking it in its own very different direction, and amazingly it works.
We also just finished catching up on old Twin Peaks in order to finally watch the new season. I had never seen all the old ones, because I’d heard about it all ending on a massive cliffhanger that was never resolved, so I figured I shouldn’t bother setting myself up for disappointment, but here we are 25 years later with the story finally receiving a conclusion. Not one to do these things half-assed, I ended up tracking down the fan-edited version of the Fire Walk With Me movie, which impressively sticks all the deleted footage from the later released The Missing Pieces back into the movie in proper order, resulting in a massive 3 and half hour production. Now we’re finally ready to begin Twin Peaks season 3…